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Personally, I see Twitter as an extremely efficient way to connect to fans. There just isn't a huge number of people using the service yet to make a huge difference.(They still have only less that 4mm people using it). When the mainstream catches up, and hope they do, Twitter will be invaluable to bands everywhere.
By the way, I think the time when acts were 'discovered' through a specific social network has gone as fast as it arrived, simply because now the entire market is spread across the networks and any half serious act will use every network they can realistically administrate.
You coming to the Manchester FT+T-T gig btw? Should I try to guestlist you?
x
Twitter's a great way of turning fans into friends, and curious geeks into fans, and then friends :) I almost see the promotional aspect of Twitter as a positive by-product of just using it to chat to people. I chat about what I do, which happens to be music, and so people go and investigate if I'm interesting enough to them. I can do some low key promo stuff on there, and announce news, post links to new blog posts etc, but that's not the bulk of my chat on there. It's mainly just conversation.
Get to evangelistic for your own product on twitter, as you wisely highlight in the case of the Hussys, just looks ridiculous (even worse was the band I came across this mornin trying to spam Blip.fm... just make some friends already!!!
Twitter rewards honestly, fun, interaction, playfulness and 'interestingness'. Quality interaction breeds quality interaction, and it's a very tough - if not impossible - model to 'game' in any way.
Good stuff - nice to tweet you! :)
On 17 Oct 2008, at 22:43, "Disqus" <notifications-
which is not to say i unfriended them on twtiter because I just discovered I haven't
Thanks and Cheers,
Kim
Kim
Some artists are extremely engaging while others post once or twice and disappear... worst is when PR/management type post really half-baked banal tweets.
Twitter does work if you are willing to be engaged... it does however take time and knowing the time constraints many of us face, it might not be easy to make the time with crazy schedules or be committed to it.
Funny thing is, once you figure out how to use Twitter and are totally into it, it does become a bit addicting!
Bottom line, find what works for you... just because there is a big buzz behind something doesn't mean that it will fit into your overall promo plans. Just be open to new ways of doing things...
www.rnbhiphoprockstar.com
Carina K
It helps for people to define what they want to do with thier music as well. Not everyone is a recording artist trying to become the next big thing. I am a working singer/musician, so I use Twitter like anyone else with a business, twitter helps me get gigs, helps me get songs placed, and introduces me to the people who are buying talent for thier coprorate events, etc, etc......
Along the way I connect and help people that cross paths with me in a meaningful way, and we spread messages for each other. Tiwtter is great if it is used well.
I think Jann Arden is an excellent example of being funny and interactive on Twitter, she is worth looking up.
I think the one big mistake that the big celebs are making, is to not follow back. It just doesn't look good.
Some Musicians like Matthew Good and Collective soul, are excellent examples of big name artists who follow back equally and connect with thier audience. I admire them a great deal for not being exclusive and for not mis-using twitter. All celebs and artists could learn from them.
http://www.imusictweet.com go there and share your music directly on twitter!